Noisehive
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![Why pitching for popular playlists is not a marketing strategy [op-ed]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2FPlaylist-Pitching-Spotify.png%3Fv%3D1778467945255&w=3840&q=75)
Why pitching for popular playlists is not a marketing strategy [op-ed]
Why artists do themselves a disservice fixating on a big break.
![Why pitching for popular playlists is not a marketing strategy [op-ed]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2FPlaylist-Pitching-Spotify.png%3Fv%3D1778467945255&w=3840&q=75)
Feature Week
Why pitching for popular playlists is not a marketing strategy [op-ed]
Why artists do themselves a disservice fixating on a big break.

Aussie-owned digital distributor Noisehive is out of beta, ready for business
The platform unofficially launched at Sydney's Electronic Music Conference.

News
Aussie-owned digital distributor Noisehive is out of beta, ready for business
The platform unofficially launched at Sydney's Electronic Music Conference.
![Why 100% of your royalties is potentially a bad deal [op-ed]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2FMoney-Guitar.jpg%3Fv%3D1778467943109&w=3840&q=75)
Why 100% of your royalties is potentially a bad deal [op-ed]
Arlo Enemark on how the rise of digital distributors has changed the music landscape.
![Why 100% of your royalties is potentially a bad deal [op-ed]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2FMoney-Guitar.jpg%3Fv%3D1778467943109&w=3840&q=75)
Opinion
Why 100% of your royalties is potentially a bad deal [op-ed]
Arlo Enemark on how the rise of digital distributors has changed the music landscape.
Reporting from inside the Australian music business since '94.
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